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Blush Attack [album]

by Colleen Lovejoy

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1.
Do I have to leave now I don't know where I'll run to One man fell down, he is nowhere around Two men fell down, they are nowhere to be found Two women fell down, someone tell me where they are now That poor boy, how he laid on the ground With guns, they shot him down I enjoyed your party Stood beneath the palm tree One man fell down, he is nowhere around Two men fell down, they are nowhere to be found Two women fell down, someone tell me where they are now That poor boy, how he laid on the ground With guns, they shot him down With guns, with guns, with guns, they shot him And he lay, and he lay, and he lay down
2.
Would you put me in your video if I dress up like a stupid ho Downplay my intelligence, pretend that I'm permiscuous Yes yes you would, yes yes you would Yes yes you would, yes and the pay is good Would you put me in your magazine if my figure was European If I look like I shoot heroin, if I wasn't half African Yes yes you would, yes yes you would yes yes you would, yes and the pay is good You shouldn't treat me like a whore You shouldn't treat me like a whore You shouldn't treat me like a poor whore You shouldn't treat me like a ho Would you sign me to a record deal If Jack and Jill go up the hill And Jill gives Jack some action Would you listen to her album Yes yes you would, yes I know you would Yes you know you would, (I believe) yes, yes Yes yes you would, oh I know you would Oh you know you would, oh oh oh She needs money, she needs money
3.
Disappear 03:44
Partner, you ain't been treating a girl right Could it be, that she is cramping your style All your indifference is so intense All your apathy is the end of me Would you like me if I disappear Would you feel me if I disappear Would you miss me if I disappear Would you miss me Hiding in shadows, I'm out of sight You're searching frantic, where'd that girl go Your water is all gone, just now you're thirsty Your water is all gone, just now you miss me Would you like me if I disappear Would you feel me if I disappear Would you miss me if I disappear Would you miss me Would you save me if I disappear Would you find me if I disappear Would you love me, if I, if I Would you love me Would you like me if I disappear Would you miss me if I disappear Would you love me if I, if I Would you love me Would you save me if I disappear Would you find me if I disappear Would you love me, if I, if I, if I Would you love me
4.
Why cannot I make it simple I try try try all the time Why cannot I take with ease Never never me, nevermind I'm a piece of work, always I'm a piece of work, piece of work I almost let you in, I wanted To let you, let you in Why cannot I let you have me I run, run run, all the time Why cannot I let you love me Never never me, nevermind I'm a piece of work, always I'm a piece of work, piece of work I almost let you in, I wanted To let you, let you in I'm a piece of work, always I'm a piece of work, piece of work I almost let you see, I wanted To let you touch, that part of me Why cannot I make it simple I try try try all the time time time Why cannot I let you love me Never never me, never never never never I'm a piece of work, always was A piece of work, yeah yeah, piece of work, oh no no I almost let you in, I wanted so bad To let you in, let you in I'm a piece of work, always I'm a piece of work, oh yeah, piece of work, I know I almost let you see, I wanted to let you touch
5.
Joey 03:08
Do you hear the whistle blowing from the morning train It's calling your name, Joey, it's calling your name I packed your rags and your pistol in the old suitcase You've caused enough troubles, honey, and enough pain You're on your way now, you're a free man I release you, from my jealous hand You're on your way now, with the best of me A thousand promises, a thousand empty And to think that, I believed you You told me that you'd love me, you'd never give up on me You're on your way now, the whistle's blowing Why did you insist I love you, like a raggedy doll Why did you insist I need you, does it make you feel tall Why did you insist I love you, does it scratch your itch To treat the heart she gives you, like it's rubbish You're on your way now, you're a free man I release you, from my jealous hands You're on your way now, with the best of me A thousand promises, a thousand empty And to think that I believed you You told me that you'd love me, you'd never give up on me You're on your way now, the whistle's blowing You're on your way now, you're a free man I release you, from my jealous hands You're on your way now, with the best of me A thousand promises, a thousand empty And to think that I believed you You told me that you'd love me, you'd never give up You're on your way now, the whistle's blowing Do you hear the whistle blowing from the morning train It's calling your name, Joey, it's calling your name

about

A SHORT HISTORY OF BLUSH ATTACK
I rediscovered a decade of forgotten recordings when that hard drive started working again. Listening through I blushed, rolled my eyes and died several times. Yet some of the songs I feel still relevant, even definitive of my creative journey. Blush Attack is a revisitation of the vault favorites. The majority of the selects were produced and engineered by Grammy-nominated mastermind, Ghian Wright, whose idea it was to record the band playing simultaneously. None of us can remember the name of the studio but it was located in the Topanga Canyon woods and rumored to be a favorite spot of Joni Mitchell. An exciting collaboration with Xavier Dphrepaulezz of Fantastic Negrito is heard on the track, The Pay Is Good, which by contrast was recorded at the notorious Blackball Universe (a converted warehouse in South Central that we were once forbidden to go to by my best friend’s boyfriend).

credits

released January 31, 2017

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Colleen Lovejoy Los Angeles, California

I release music and music releases me.

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